Utilitarian Review 2/28/10

On HU

This week was devoted to a roundtable on Ariel Schrag's graphic memoir Likewise. The roundtable finished off with a lengthy guest post by Ariel Schrag herself. Jason Thompson also kindly contributed a guest post.

Utilitarians Everywhere

It was a slow week for me in other published writing, but this essay about the spiritual purity of crappy art was reprinted over at Proximity Magazine.

Other Links

Bucking the general trend, Jeet Heer says that there's nothing wrong with tcj.com (though he's not so sure about HU.)

Derik Badman has a entertainingly snarky review of Crumb's Genesis. Bonus appearance by Suat in comments.

I've been semi-obsessed with mashups recently. Here's one I liked:

Utilitarian Review 2/19/10

TCJ.com/fail

Much of the blogging this week was devoted to sneering and snarking at our host, TCJ.com. I started things off by noting that, after two months, the site still sucks. Suat concurred, only moreso. In comments, former TCJ editor Robert Boyd also agreed. Bill Randall, somewhat despite himself, did a guest post offering tcj.com his professional advice as a web marketer.

A number of folks also weighed in from around the blogosphere, including Johanna Draper Carlson, Heidi at the Beat and Sean Colllins.

In coincidental eat-your-hear-out-news, Comics Comics got a lovely redesign and Fantagraphics publisher had a major article analyzing the direct market and book market which he wrote for...the Comics Reporter. (Both links and schadenfreude courtesy of that Sean Collins link above.)

And also coincidentally — while we were all sneering, tcj.com had what was probably it's best week thus far, at least in terms of content. They posted a brand spanking new knock down drag out Kevin O'Neil interview conducted by Douglas Wolk; a monumental three part history of the Direct Market from the archives courtesy of Michael, Dirk, and Gary; a short but very good essay by Dirk about the shake-up at DC; and a timely essay on the Captain America vs. tea partiers brou-ha-ha, which even energized the comments for a moment there.

On the one hand, this hits a lot of the things I said I'd like to see more of on tcj.com: interviews, a greater presence from editorial; and more creative use of the archives (I don't know if I said that last one, but I should have.)

On the other hand...it's when the content is going great guns that you really feel the crappiness of the site design. The direct market essays have already disappeared down the pooper shoot. Sticking the O'Neill interview to the top of the page seems like a good move given the options — but it still looks amateurish, and results in everything else essentially being invisible for the entire week. And there are still those what-the-fuck moments, this week provided by Ken Smith, who, love him or hate him, needs to be moved to his own blog.

Still, improvement is improvement. I feel more hopeful about tcj.com's future than I did when I wrote my post at the beginning of the week, and I am duly grateful.

Also on HU

Our new blogger Caroline Small (better known as Caro if you read our comments sections) started out with a bang, reviewing The Bun Field and discussing copyright and free culture.

Richard Cook reviewed the Planet Hulk DVD.

And I did a short review of the comic about copyright, "Bound By Law?"

Also, inspired by all the web design talk, I added a couple of features to the sidebar there, including a search function and a Recent Comments section. Let me know if the changes work for you all, or if there's something else I should try to put over there. My wordpress skills are pretty lame...but I can always give it a try.

And no download this week...because I'm busy working on my essay for our Ariel Schrag roundtable, which will start tomorrow. We are focusing on her last book, Likewise, and Ariel herself is going to guest post (probably at the end of the week.) Critic Jason Thompson is also going to do a guest post, so there'll be a lot of activity here. We're starting tomorrow, so click back.

Utilitarians Everywhere

At Splice Today I explained why indie rockers Untied States can't get out of the avant garde alive:

Not that Untied States has just one influence. “Not Fences, Mere Masks,” has a few bars lifted from the Beatles to break up the Sonic Youth. “These Dead Birds” sounds like Sonic Youth pretending to be the Beatles until it shifts into just sounding like Sonic Youth. And “Grey Tangerines” sounds like Robyn Hitchcock fronting Sonic Youth.

Other Links

I liked this discussion of the politics of yaoi.

I liked these awesome Japanese gag cartoons.

And though I maligned him earlier in the week, I nonetheless liked this essay on abstract comics by Kent Worcester.

Utilitarian Review 2/13/10

On HU

We started out this week with me explaining why R. Fiore is wrong about the Watchmen. A lot of comments, some of them even about Watchmen.

I posted my report on a panel on Gender and Cartooning in Chicago.

Richard reviewed the first volume of Parasyte.

Suat discussed a classic comics adaptation of the Chinese novel Dream of the Red Chamber.

I reviewed Manhwa 100, a catalog of Korean comics.

And this week's download featured Beethoven, prog, and other things.

Utilitarians Everywhere

In my monthly Comixology column I review Craig Yoe's recent collection of Joe Shuster's fetish comics.

So Shuster was into kink, then? Yoe does manage to uncover some evidence that the artist had an eye for chorus girls and the female form. But while that's interesting, it's not really the main issue. The point here isn't that this or that creator had a personal thing for spanking or sadism or masochism. Rather, the point is that as a genre superhero comics simply aren't that far removed from the kind of pulp fetish porn that Shuster retailed in Nights of Horror. Read through Yoe's plot synopses of the sixteen plus issues that Shuster illustrated and you'll get a definite feeling of déjà vu. Damsels in distress, evil hooligans, manly private dicks, and fiendish torture devices — didn't Shuster illustrate all of this somewhere before? You've even got a fair number of men getting shown up just like that milquetoast Clark Kent…though, admittedly, Kent's humiliation didn't usually involve a French maid.

On tcj.com I sneered mean-spiritedly at kid's manga Dinosaur King.

Also on tcj.com, also sneering, my review of the shojo title Book of Friends.

On Metropulse I review Sade's new album.

And on Splice Today I talked about why John Le Carre's famous novel, The Spy Who Came In From the Cold, is an idiotic, melodramatic piece of horse dung.

Other Links

I enjoyed this mean-spirited manga review by Erica Friedman.

Shaenon defeats Captain America.

And Matt Yglesias
makes with the Watchmen reference.

Utilitarian Review 2/6/10

On HU
We started out the week with Adam Stephanides returning to xxxholic. He read the whole thing and eh. Could have been worse.

In memory of Howard Zinn's passing, I sneered at the graphic adaptation of his book.

I mocked the prevaricating title of The Mammoth Book of Best New Manga.

And doing her part to convince Suat that people really do write mean things about manga, Kinukitty dumped on the yaoi Madness.

Vom Marlowe does her part as well by not much liking Book of Friends.

And finally this week's download features women in extreme metal.


Utilitarians Elsewhere
On Splice Today I join the long line of those who have sneered at Pauline Kael.

In other words, Kael uses “we” because there is no “we”; the point for her is always self-referential; her thesis is always, “I am right.” And that solipsism is, in turn, a function, not of rampant egotism, but of the categories she uses. As “Trash, Art, and the Movies” suggests, Kael is obsessed with what is art and what isn’t art and with the evil “businessmen” who muck up everything and make it “almost impossibly difficult for the artists to try anything new.” To read Pauline Kael, therefore, is to be confronted with a capitalism whose worst sin is making mediocre movies; with a bourgeois society the worst sin of which is enjoying those same mediocre films. Smack dab at the end of the 60s, Kael has nothing to say about Vietnam, or Lyndon Johnson, or civil rights, or any of the cataclysmic upheavals of her day. She manages to write a review of Godard’s La Chinoise in which she explicates Godard’s feelings about revolutionary youth but doesn’t tell us anything about her own position except, “Yep, I think Godard is really clever!”

On Madeloud I look back at the Rolling Stone Record Guide from 1993.

Still, if the Album Guide isn’t exactly useful as reference anymore, it retains sentimental and historical interest. Consider, in 1993:

- Nirvana was a decent band peddling a more pop-laden version of the “metal-edged punk” that typified Soundgarden and Soul Asylum. “At their best,” J.D. Considine says, Nirvana’s songs “typify the low-key passion of post-MTV youth.” Bleach (three-and-a-half stars) is faulted for relying on “metal riffage” as much as on “melodic invention,” while the poppier Nevermind gets four stars. Since Nirvana has not yet been named rock royalty, no one needs to trace its bloodline, and bands such as the Melvins and the Vaselines don’t exist.

On Splice Today I have a review of the latest in dubstep meets doom metal by Necro Deathmort.

On Madeloud I review the quite-good-but-unfortunately-named Scandinavian thrash band Rimfrost.

Also on Madeloud I review the latest slab of endless doom from Holland's Bunkur.


Other Links

Tom Crippen has been writing some great super-hero pieces on TCJ.com this week, including this sad song for MODOK. Also, a great discussion of Ebony White.

Jessica Hopper's takedown of Vampire Weekend is nicely done.

Utilitarian Review 1/31/10

On HU

I started out the week by reviewing the Mike Sekowsky run on Wonder Woman.

The discussion of whether or not manga critics are too nice continued with some snark by m. of coffeeandink and a long, long comments thread.

Kinukitty reviews the yaoi Sense and Sexuality.

Suat talked about problems with Town of Evening Calm, Country of Cherry Blossoms. There's a long comment thread as well, with Kate Dacey, Jog, Derik Badman, Bill Randall and others commenting.

Vom Marlowe reviews a good white ink.

Utilitarians Elsewhere

At the Chicago Reader I reviewed Garry Wills' new book Bomb Power.

There's no doubt that the bomb and nuclear fears are regularly marshaled in defense of unlimited executive power. And Wills makes a good case that the Manhattan Project provided institutional impetus for, and training in, federal secrecy. But his claim that the bomb "caused a violent break in our whole government" is less persuasive.

He argues, for instance, that our foreign policy following World War II was in large part predicated on our need for missile bases—a claim I don't see any reason to dispute. But in the course of that argument he also states that the need for bases "began a long history of friendly relations with dictators." This neatly elides America's extended, inglorious prebomb encouragement of tyrannies abroad, starting with our support for the slave-holding regime in 18th-century Haiti and finding perhaps its most spectacular expression in our brutal and extended battle against a popular insurgency in the Philippines in the early 1900s.

At metropulse I review a number of recent Thai luk thung release.

Luk thung is often characterized as Thai country music, which is both accurate and misleading. It’s accurate in that, yes, luk thung is mostly created and consumed by folks from rural backgrounds, and its lyrics reflect their concerns—the love left at home, the joys of rural cooking, the shock of moving to the city and discovering that your new urban flame is a he rather than a she, etc.

It’s misleading, though, in that luk thung doesn’t sound anything like country music. It sounds like film music exotica. Also garage rock. And like J-pop and Bollywood and AM radio balladry. And like hip-hop. In other words, and very much unlike American country, luk thung is almost pathologically omnivorous.

Bert Stabler and I discuss Inglorious Bastards and Zizek and other things.

At tcj.com I review two crappy manga: Biomega and Ikigami.

At Madeloud I review Drudkh's fantastic first album, Forgotten Legends.